Badass, feminist, imaginative, historical.
I devoured this book. Or maybe it devoured me.
Let me start by saying that this book is a lot. Barton's writing is awesome, but dense. The vast majority of the reviews I've read for this book mention "info-dumping" and the use of other languages without translation. They're not wrong, but... I almost feel as though these reviewers can't have actually finished the book. The first chapter is the hardest. I put the book down twice (to pick up Harry Potter, of course) because I just couldn't get into the first chapter. But I finally pushed through it, and hot damn I'm glad I did. I went on to finish it in two days because I could not put it down.
THAT SAID, I don't necessarily recommend you immediately drop everything and buy the book. Rent it from your library. Or finish this review and read other reviews before dropping $25 on it.
Because the people who didn't love this book bring up good points. I've seen folks complain that there are too many mystical elements. There are animated clay figures called Golems. There are mechanical horses in the 20th century. There's a man who was born a woman but transformed into a man when he prayed for it while bathing. There's also the fact that hundreds rally behind a teenage girl, willfully following her into war. Naturally, people complain that it's a lot to believe. To which I say: just get past it! In the beginning of the book I also struggled to believe everything that was put in front of me. But once I just stopped thinking so hard about it (it's historical fiction, after all), I was able to just relax and thoroughly enjoy the book.
The other major complaints I've seen, and which I feel I need to address before telling anyone to go buy it, are the complaints of language and too much info. Barton uses language throughout the novel that most of us won't understand (Hebrew? Yiddish? Combo? I don't know.) She often translates it, but not always. It was occasionally frustrating, but mostly I thought it was easy enough to understand through context. When I couldn't guess the meaning, I just... got over it. It really doesn't happen enough to distract from the story. Despite not always understanding the occasional blurbs of other-language, I understood and followed the plot. It didn't interfere with character development or rising action or, or, or. And yet, many, many people seemed to really dislike this feature of the book. So I figure it's worth mentioning. If you think this would bother you, it might not be worth reading. And then there's the issue of "info-dumping." There were some parts of the book that were just crazy laden with info - I don't mind it. I thought it was necessary to the story. But if you are more a dialogue and action guy or gal, it's something to consider. For all the info-dumping, though, I thought it was paced just fine. I never got bored.
And yet, I really, really want to urge everyone to try this book out. It's one of the best books I've read in the last year (up there with The Tsar of Love and Techno by Anthony Marra and The Mapmaker's Children by Sarah McCoy). The writing was perfection - the kind that makes you think of silk and caramel and hot chocolate and tea and blankets and that attic from A Little Princess. I know you know what I mean.
~Break to go watch A Little Princess. My dear, dear Sara.~
Read the rest of my review over at Filthy Casket!
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Charlotte
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